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Epiphone Valve Junior Half Stack Valve Junior Head. 5W power. Single-ended Class A tube circuit. 12AX7 preamp tube. EL84 power amp tube. Tubes have DC filaments for reduced noise. Single chicken-head volume knob. 4, 8, 16 ohm outputs for speaker flexibility. Valve Jr. Extension Cab. Fender Blues Deluxe Reissue 40W 1x12" Combo Amp All-tube preamp and power amp. 40W. 12" special-design Eminence speaker. Dual selectable channels (Normal and Drive). Independent Gain and Master controls in the Drive channel. Bright switch for Normal channel. Effects loop. Reverb. Chrome panel. Vintage chicken-head knobs. Controls: Presence, Reverb, Master, Middle, Bass, Treble, Drive select switch, Drive, Volume, Bright, Standby. Genuine tweed covering. Tube complement: 3 x 12AX7, 2 x 6L6, SS rectifier. Includes footswitch. 23-1/2"W x 18-3/4"H x 10-1/2"D. 45 lbs.. Fender Hot Rod Deluxe Amp 40W tube power. 12" speaker. 3 channels. Reverb. 2-button footswitch. 23-1/2"W x 18-3/4"H x 10-1/2"D. 45 lbs.. Cover included. Epiphone Blues Custom 30 Watt 2x12 Combo Amp Designed and engineered in the USA by Gibson. 30W Class AB or 15W Class A switchable All-tube circuitry. 2 channels. (pentode/triode). Tube rectifier. Mid control for channel 2. Dual 12" special-design Eminence Lady Luck speakers. Tube-powered reverb. Independent/interactive EQ switch. Standby switch. Shared 3-band EQ. Master volume. Dual 4 ohm, dual 8 ohm, and 16 ohm speaker outs. 12AX7 preamp tubes with DC powered filaments. 5881 power tubes. High-tension fuse. 16-gauge bent and spot-welded chassis. 11-ply plywood cab construction. 2-button footswitch not included. Fender Champion 600 5W 1x6 Combo Amp Two inputs (Instrument And Microphone). Control: Volume. Covering: Brown And Blonde Vinyl Covering; Vintage-Correct 1950 "Two Tone" Cosmetics. Peavey Windsor Studio 20W 1x12 Tube Combo Amp Class A Power Amp can use various octal power tubes including EL34 (stock), 6L6GC, 6550, 6CA7, KT88, KT66, or any variation on these types. Two 12AX7/ECC83 Preamp tubes. 15-20W (rms) into 4, 8, or 16 Ohms with Power Sponge" output power attenuator. No negative feedback in Power Amp. High & Low Gain Inputs. Preamp Volume. Low, Mid, and High EQ. Footswitchable Boost function. Footswitchable Effects Loop. Spring Reverb. Transformer balanced XLR Recording Output w/passive mic simulator. XLR Ground Lift switch. Dual Speaker Outputs. Impedance Selector. 1/4" TRS footswitch jack for Boost and Loop defeat. 12" Blue Marvel Speaker. Marshall Vintage Modern 2266 Tube Combo Amp The perfect marriage of classic, vintage rock tones with modern features. The Marshall Vintage Modern 2266C 50 Watt 2 x 12 is an all-valve single channel amplifier with a choice of two dynamic ranges selectable by footswitch. The Low range equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument's Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance. Two frequency selective Pre-amp Volumes (Gains) - Body and Detail - facilitate greater flexibility of tonal shaping for individual guitars and styles while the power amplifier is heavily based on the first Marshall amplifiers to be produced, with two KT66 output valves yielding that substantial fat and smooth tone. A MID Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound. A master volume has been included in order to practically manage the output levels at all venues. This is implemented after the phase splitter in order to fully exploit maximum preamp drive when the master is turned down low. A reverb level control mixes the on board plate reverb with the direct signal to whatever degree the player chooses. The reverb can be toggled on and off via the footswitch. Finally, a series FX loop is provided for those players who wish to use outboard effect to further enhance their sound. Loop levels of 10dB and +4dB are catered for via rear panel switch as well as the option to completely bypass this feature if it is not required. The Combo comes fitted with two Celestion G12C 25 Watt greenback speakers enabling stand-alone performance. There is a facility for using an extension cab if required. The cosmetics are also a carefully crafted hybrid of old and new styles made even more dramatic by the deep purple vinyl that covers the entire series. ****** 50-Watt valve 2x12" combo. Valve compliment: 4 x ECC83 (12AX7s) in preamp, 2 x KT66 in power amp. Master Volume with two Gain Controls Detail (highs) & Body (lows). Two footswitchable Dynamic Ranges Low & High. Mid Boost switch. Footswitchable Proprietary digital Plate Reverb. Series FX loop with level switch and bypass. Celestion G12C 25 Greenbacks*. Made in England. *Note: the speakers developed especially for the Limited Edition Jimi Hendrix Super100JH stack. Vox AC30CC2X 30W 2x12 Custom Classic Combo with Vox Celestion Blue Speakers An evolution of the original; sure to become a classic in its own right. 2 blendable channels feature fully variable tremolo with footswitchability, a custom EQ switch on the Top Boost channel, and Brilliant switch on the Normal channel. Spring reverb with dwell switch, effects loop with full bypass and level control ****** 30W all tube. 2 Vox Celestion Blue 15W 12" speakers. Custom/normal EQ switch on Top Boost channel. Normal channel with Brilliant switch. Blendable Normal & Top Boost channels. Spring reverb with Dwell switch and tone control. Fully variable tremolo on all channels. Post-phase-inverter master volume. True bypass variable-level effects loop. Switchable cathode bias. Switchable smoothing filter values. Footswitch for tremolo and reverb. Baltic birch ply cabinet. Vintage-style transformers. Tone Cut control. Dual footswitch for reverb and tremolo. Fender '64 Vibroverb Custom Guitar Combo Amp A custom shop reissue of a 1964 classic, hot rodded. Hot rod mods are by "Amp Doctor" César Diaz. The Fender '64 Vibroverb Custom Guitar Combo Amp is an all-tube, completely hand-wired combo with a solid finger-jointed pine cabinet and a 15" Eminence speaker for a unique, throaty sound. From the front it appears to be a faithful reissue, while back-panel Stock/Modified and Tube/Diode Rectifier switches kick it into overdrive for a cranked up "Texas blues" sound. 2-button reverb/vibrato footswitch and embroidered cover included. ****** Hand-wired. Featuring special circuitry designed by Cesar Diaz. 40W @ 8 ohms or 4 ohms (Tube Mode),. 50W @ 8 ohms or 4 ohms (Solid State Mode). 2 channels. Tube-driven spring reverb. Tube vibrato. Tube/diode rectifier switch. Stock/modified circuit switch. 4 -12AX7A preamp tubes. 2 - 12AT7 tubes. 5AR4 rectifier (switchable to diode with rectifier switch). 2 - GT6L6 GE output tubes. All USA-made tubes. 15" 8-ohm special design speaker made in the USA by Eminence. Solid finger-jointed pine cabinet. Black, heavy-duty textured vinyl cover with silver grille cloth. Standby switch. Extension speaker jack. Tilt-back legs. Reverb output. Input RCA jacks. 2-button reverb/vibrato footswitch and embroidered cover included. Peavey ValveKing 112 Combo Amp Get the best of Class A and AB in one killer amp. At the heart of the all-tube Peavey ValveKing 112 is a patent-pending, Class A/B Texture control that allows variable selection and combinations of Class A and Class AB power structures. The Texture knob lets you coax a wide range of tones out of this amplifier. It features 12AX7 preamp and 6L6GC power amp tubes; a specially voiced 12" ValveKing speaker; 2 footswitchable channels with independent 3-band EQ and volume; footswitchable boost on the lead channel; global resonance, presence, and reverb controls; a buffered effects loop; and external speaker jack. ****** 50W all-tube power. Texture variable Class A/B simulation control. 2 footswitchable channels. (w/optional footswitch)EQ and volume for each channel. Footswitchable gain/volume boost on lead channel. 12" ValveKing speaker. Reverb with level control. Buffered effects loop. Resonance and presence controls. External speaker jack. 2 - 6L6GC power amp tubes. 3 - 12AX7 preamp tubes. 4, 8, or 16 ohms. Gretsch Electromatic G5222 5W 1x6 Tube Guitar Combo Amp Tweed Tone-fully simple! Five watts. Two tubes. Two inputs. Too cool! Designed by guitarists, the low-output, easy-to-record Electromatic G5222 guitar amp is ideal for small-room jam sessions and recording projects. Crank the amp s volume and adjust the guitar's controls for a variety of sounds. Not only does it spank, sparkle and growl, but the visual factor is undeniably Gretsch. ****** Wattage: 5 watts. Impedance: 4 ohms. Speaker: One 6 , 4 ohm Special Design driver with ceramic magnet. Channels: Two (High and Low Sensitivity). Controls: Single volume control. Extension Jack: External speaker output. Inputs: High-gain and low-gain inputs. Handle: Leather strap handle. Ampeg J-20 Jet 20W 1x12 Tube Guitar Combo Amp Retro Blue An all-tube, hand-wired rocket-ride to vintage guitar tone. The J-20 Jet tube guitar amp is a retro-styled sweetheart of a combo amp highly evocative of the '60s in attitude and tone. Part of Ampeg's Diamond Blue Lead Series, this all-tube amplifier is the product of Ampeg's tone-obsessed engineering staff who came up with the no-compromise design of the 20-watt, point-to-point wired J-20 combo. The J-20 boasts three 12AX7 preamp section tubes and a dual 6V6 Class AB output stage. The result of all this "inner tubing" is a guitar combo with controllable vintage crunch along with Ampeg's hallmark ease-of-operation. The simple Volume/Tone control setup makes it easy to quickly dial in just the right amount of edge for personal bliss. With its point-to-point wiring, 5AR4 rectifier tube, 12" alnico speaker, and foot-switchable, bias-vary tremolo circuitry, the Ampeg J-20 amp is a no-compromise guitar combo ideal for even the most tone-obsessed guitarist. ****** Vintage-style point-to-point wired tube guitar combo. 20W power. Fixed bias Class AB design. 12" alnico speaker. 3 - 12AX7 preamp tubes. 2 - 6V6 power tubes. 5AR4 tube rectifier. Volume and Tone controls. Tremolo circuit. Tremolo On/Off footswitch. Dual 1/4" outputs. 20"W x 17.5"H x 9.75"D. 25 lbs.. Peavey ValveKing 100 Head 100W of pure ValveKing Class A and AB thunder. At the heart of the all-tube Peavey ValveKing 100 Head is a patent-pending, Class A/B Texture control that allows variable selection and combination of Class A and Class AB power structures. This gives you the ability to coax a wide range of tones out of the ValveKing 100 Head. It features 12AX7 preamp and 6L6GC power amp tubes; 2 footswitchable channels with independent 3-band EQ and volume; footswitchable boost on the lead channel; global resonance, presence, and reverb controls; a buffered effects loop; and dual speaker jacks in parallel. ****** 100W all-tube power. Texture variable Class A/B simulation control. 2 footswitchable channels. EQ and volume for each channel. Footswitchable gain/volume boost on lead channel. Reverb with level control. Buffered effects loop. Resonance and presence controls. Dual speaker jacks in parallel. 4 - 6L6GC power amp tubes. 3 - 12AX7 preamp tubes. 4, 8, or 16 ohms. 21-1/3"W x 18-1/4"H x 10-1/4"D. 44-1/2 lbs.. Marshall JVM Series JVM410H Tube Amp Head More channels, more gain, more versatility. In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that's really saying something! Each of its 4 channels-Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast 3 Modes, all 12 of which are footswitchable and feature their own unique gain structure. It makes the JVM 4-channel effectively 12 Marshalls in one! The JVM410H has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp's two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls. Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they're incredibly simple to understand because of the extremely logical layout. Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain-accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you're only left with 4 Master controls-2 Master Volumes plus Resonance & Presence. Add to this an ingenious footswitch (UK patent pending) and the fact all the amp's switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you're looking at an incredibly flexible amp! The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable. From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410H all-valve amp head will give you whatever tone you need right when you need it. ****** 100-Watt valve head. Valve complement: 5 x ECC83 (12AX7s) in preamp, 2 x EL34s in power amp. 4 independent, footswitchable channels-Clean, Crunch, OD1 & OD2. Each channel boasts 3 footswitchable modes Green, Orange & Red. Studio quality, footswitchable digital reverb with level controls for all 4 channels.. 2 footswitchable master volumes. Two FX loops Series/Parallel & Parallel. Series/Parallel FX loop is footswitchable. Emulated line out. 6-way, 7-LED footswitch with memory capabilities (UK patent pending). All switching can be done via MIDI. Made in England. B-52 AT-100 100W Tube Guitar Amp with Tri Mode Rectifier A 3-channel, all-tube, tri-mode rectifier beast that gives you astounding tone and versatility. The AT-100 is a 3-channel, all-tube, tri-mode rectified beast that gives you unparalleled tone and astounding versatility. Whether you are playing to a stadium crowd of 50,000 or practicing at home in your garage, the AT-100 will produce awesome crunch, smooth mids, and crystal-clean highs. Capable of producing massive amounts of distortion, it can handle any style from blues to metal. The AT-100 is loaded with features including a Tri-Mode Rectifier that allows you to select among three different rectifier circuits: Solid State, Tube A, or Tube AB1. The overdrive section features two selectable high-gain channels and volume controls with a 3-band EQ. The assignable contour (mid-scoop) control gives you the ability to make each overdrive channel sound radically different. The Global section features Low-Res (Resonance), Reverb, and Master Volume ****** 100W all-tube power. Tri-Mode Rectifier: Tube A, Tube AB1, or Solid State. Overdrive Channel: Gain 1 and Gain 2 with Independent Master Volumes, 3-Band EQ, Assignable Contour Control. Clean Channel: Master Volume, 3-Band EQ, Bright Switch. Global Controls: Volume, Low-Res (Resonance), Reverb. Effects loop with level (footswitchable). Line out with level. Selectable 4, 8, or 16 ohms. Speaker jacks. 4-button footswitch: Channel, Gain, Reverb, and Effects Loop. Ground lift switch. 13-ply Baltic birch construction. 27"W x 11"H x 11"D. 52 lbs.. Vox Heritage Collection AC15HTVH 15W Tube Guitar Amp Head Celebrating the 50th anniversary of Vox guitar amps, this hand-wired amplifier boasts a magical combination of vintage looks and tone. Make no mistake, this is no dizzy blonde. Inside that pretty head is a hand-wired masterpiece of tone generation. It will transport you through the golden age of Vox tone, combining the prized EF86 preamp channel of 1958 with the 1963 Top Boost channel all in one amplifier. With its modern tone-shaping control enhancements, you've got one of the finest Vox amplifiers in the company's 50-year history. The EF86 The magical Vox tone. But what is it that makes EF86 based Vox amplifiers some of the most collectible in the world? Maybe it's the way the amp naturally overdrives, almost breathing with a life of its own. Perhaps it's the transparency of tone that flatters a premium quality guitar, or the way it dynamically responds to the subtlety of your picking. Or maybe it's the raw power of the creamy distortion as you crank the amp all the way up. Whatever it is, there is an undeniable magic about this period of Vox amplification-an age when the most simple of circuits produced some of the most complex and musical of tones. Now in short supply, the EF86 Pentode tube is at the heart of this elusive tone. Fifty years later, the magic returns. The AC15H Head A detailed look. The 15-watt AC15 hand-wired head features two channels of unmistakable Vox tone. The valve complement is made up of 1 x EF86, 3 x ECC83/12AX7, 2 x EL84, and 1 x EZ81 (rectifier). Channel 1 is the EF86 Preamp channel, and features two inputs wired in the traditional way providing a 6dB gain difference between them. A two-position Bass Shift switch is included, with position 1 voiced to the original vintage-correct bass response and position 2 voiced to tighten the bass response and reduce any muddiness during high volume use. The three-position Brilliance Switch provides flat response when in the off position. Position 1 is a new position voiced like the early AC30 "Treble" amps, while position 2 is the original brilliance circuit, which acts as a dramatic bass cut. The EF86 Mode switch re-configures the EF86 valve from Pentode mode to Triode mode. Triode mode will give a lower gain tone with higher headroom. Pentode mode is the famed original mode and has a very sweet high gain tone with less headroom. Channel 2 is the Top Boost Preamp channel. Like Channel 1, this channel includes two inputs wired with a 6dB gain difference between them. The Treble and Bass controls are from the 1963 Top Boost circuit and are extremely interactive. Very minor adjustments of these controls can yield dramatic changes in tone color. And true to Vox form is the Top Cut control, which cuts high from either channel end as it's turned up. Flexible power. The O/P Switch adds even more flexibility to the AC15. This switch changes the power output valves from Pentode Mode, which is the normal operating mode of the power amplifier, to Triode Mode that halves the power output to 7.5 watts and at the same time offering smoother tonal characteristics. The finishing touches. Great care and research went into the cosmetics for this special amplifier that perfectly blends authentic vintage styling with contemporary attributes. These touches include vintage "TV Front" cabinetry, pre-1960 logo placement, and vintage-inspired cream vinyl covering. ****** 15W hand-wired head. 2 channels: 1958 EF86 channel and 1963 Top Boost channel. 1 EF86 preamp tube (EF86 channel). 3 ECC83/12AX7 preamp tubes (Top Boost channel). 2 EL84 power tubes. 1 EZ81 tube rectifier. Historic EQ controls with modern enhancements. 2-position bass shift switch. 3-position brilliance. switch. Switchable power output (pentode/triode). Peavey Classic 30 Head Tube Amp Peavey redesigned their renowned Classic Series guitar amplifiers, and the new Classic 30 Head features four EL84s and three 12AX7s, footswitchable reverb and 3-band EQ. The Classic 30 Head is a perfect match for the Classic 212 Cabinet. ****** 30 watts (rms) into 16 ohms. Four EL84s and three 12AX7s. 2-channel preamp. Pre- and post-gain controls on lead channel. Normal volume control on clean channel. 3-band passive EQ (bass, middle, treble). Boost switch. Reverb. Speaker output jack. Chrome-plated chassis.