SYNTHESIZERS:

SYNTHESIZER WORKSTATIONS PORTABLE DIGITAL PIANOS ORGANS MIDI-CONTROLLERS KEYBOARD AMPS ACCESSORIES

Roland JUNO-D 61-Key Synthesizer Incredibly affordable and full-featured! The Roland Juno D 61-Key Synthesizer is packed with hundreds of first-class sounds, expressive multi-effects, realtime performance controllers-all the power tools you need for groove creation and composition. The 61-note keyboard offers 64-voice polyphony and improved feel. 640 top-quality patches with split and layering capability are organized into categories for easy access. 20 rhythm sets, GM2 compatibility. 47 multi-effects. Powerful arpeggiator with 400 templates. Multi Chord memory for one-finger chord triggering; Rhythm Guide metronome. The awesome D-Beam controller offers intuitive sound control and front-panel control knobs enable instant fine-tuning. Two tones can be assigned to each patch, and then split or layered. Mac/PC editing software included. ****** 61-key synth with velocity. 64-voice polyphony. 16-part multitimbral capability. 640 tones. 20 rhythm sets. 47 multi-effects. 8 choruses. 8 reverbs. 32MB of Wave ROM. Phrase/arpeggiator with 400 templates. Multi-chord memory for one-finger chord triggering. Rhythm guide metronome with presets and variations. 128 user memory patches. Separate tempo track. Stores 100 user-programmable patterns or one song. Dimension beam controller. Mac/PC editing software included. Moog Little Phatty Stage Edition Analog Synth Sleek design with modern, charcoal-colored rubberized side panels. Synth sound engine from Bob Moog. 100-percent analog signal path. 100 user editable presets. 37-note keyboard. +/-2 octave transpose. 2 ultra-stable oscillators. 1 low-pass filter (classic Moog ladder filter). 4-stage analog envelope generators. RAC Real Analog Control. ********** Pure analog Moog sound ready to hit the stage. The Little Phatty Stage Edition has the same features and sound engine as the wildly popular Tribute Edition. Designed by Moog founder and inventor Bob Moog the Little Phatty is a monophonic analog synthesizer with 100 user editable presets. The Stage Edition boasts improved software and a unique auto-calibration feature. The Little Phatty Stage Edition synthesizer puts the performer in control of a 100% analog signal path with Real Analog Control, two ultra stable Voltage Controlled Oscillators and one Voltage Controlled Filter among other versatile features like CV inputs, KB gate and a full MIDI controller. Real Analog Control (RAC) is a proprietary technology enabling the performer to directly interface with the analog circuitry via the knobs on the control panel, without any digital processing. It includes updated software with auto calibration and an auto tune function that ensures the instrument is tuned perfectly whether it's in a cool studio or under hot stage lighting. Add in an asymmetric pitch wheel, 21 assignable MIDI controllers and well as arbitrary pot mapping and you can see that the stage edition gives you precise control over your sound. The Little Phatty is aesthetically pleasing both aurally and visually. A striking design makes it one of the coolest looking synths on the planet. The Stage Edition departs from a traditional wood cabinet and is cradled instead by sleek, charcoal-colored rubberized side panels. Korg MicroKORG Synthesizer / Vocoder Analog modeling and multiband vocoding in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the Korg MicroKORG Synthesizer/Vocoder is perfect for the musician looking for a serious yet affordable synthesizer. It provides powerful synthesis with the same dual-oscillator DSP synthesis engine found in the MS2000, and offers a wider selection of waveforms than most other modeled synths. It also has an 8-band vocoder with many advanced features, a full range of effects, and a flexible arpeggiator. 2 audio inputs let you process other instruments through it. Also serves as a compact MIDI controller. Comes with its own microphone. Powerful synthesis The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg s critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg s classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer. Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings routing the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. and you have performance that is unheard of from a synthesizer in this price range! ****** 128 user-rewritable programs. 37-key mini keyboard. Powerful synthesis. Classic vocoding. A full range of effects. Great sounds and expression. Flexible arpeggiator (6 types). Clear control and classic looks. Can serve as a compact MIDI controller. Korg RADIAS Synthesizer Vocoder The past, present, and future of synthesis in one mind-blowing instrument. The Korg RADIAS Synthesizer/Vocoder brings together a sound module based on Korg's cutting-edge, analog-modeling MMT engine and a 49-note, velocity-sensitive keyboard. It also has pitch and mod wheels and a full complement of knobs and buttons. The unique design lets you move the control module to accommodate a laptop or other audio gear. This 24-voice synth offers a variety of synthesis algorithms together with multiple effects, modulation sequencing, and comb filter and wave shaping features, as well as formant-motion vocoding. RADIAS' innovative design can be custom configured to suit you. The control module can be used independently or teamed with the unique dedicated keyboard as a seamlessly integrated instrument. RADIAS includes customizable synthesis templates to be used as starting points, with template data for 128 synth timbres, 128 insert effects, and 128 master effects. The heart of RADIAS beats with Korg's cutting-edge MMT (Multi Modeling Technology) synth engine, which borrows much of its modeling techniques from Korg's flagship OASYS. It eliminates aliasing noise in even the highest frequencies and delivers clean, pure waveforms. RADIAS provides two oscillators for each timbre that deliver modeled analog waveforms, formant waveforms, noise, ring modulation, sync, and classic and modern PCM waveforms. The analog modeled waveforms allow a variety of oscillator modulation algorithms to be used to create complex sounds, even from a single oscillator. The dual-filter structure allows two filters to be used individually, side by side, or in series for maximum versatility. Three Envelope Generators (EG) are used to apply time-varying changes to the pitch, filter cutoff, and amp level, as well as many other parameters. The bundled RADIAS Sound Editor/Librarian software makes it easy to edit, manage, and archive settings on your computer through the USB port. RADIAS has two LFOs, variable Drive mode, a flexible wave shaping circuit, three modulation sequencers, six virtual analog synth patch cords, envelope follower, 16-band vocoder, 30 effect algorithms, six types of arpeggiator patterns, dual linkable 32-step sequencers, 256 programs, 32 drum kits, and 16 formant motion sets. ****** MMT (Multiple Modeling Technology) synth engine. 24-voice polyphony. Oscillator 1: 9 basic waveforms, 4 types of modulation, PCM (64 sounds, 128 drums). Oscillator 2: 4 basic waveforms, 2 types of modulation. Noise generator. Filter 1: -24 dB Low Pass, -12 dB Low Pass, High Pass, Band Pass, Thru modes. Filter 2: Low Pass, High Pass, Band Pass, Comb modes. Each filter has serial, parallel, and individual routings. 1 driver or wave shaper (11 types). 3 EGs. 2 LFOs. 6 virtual patches. 3 modulation sequences. 16-band vocoder. Variable level/pan for each vocoder channel. Vocoder formant control functions. Envelope follower. 30 effects. 6 arpeggio types (Up/Down/Alt1/Alt2/Random/Trigger). Dual 32-step sequencers. 256 programs. 32 drum kits. 49 velocity-sensitive keys. Modulation wheel. Pitch bend wheel. 2 - 1/4" inputs. 1/8" mic/line input. L/MONO, R 1/4" outputs. L/R 1/4" outputs. 1/4" headphone jack. Assignable pedal jack. Assignable Yamaha S90 ES Synthesizer Fine feel, flexibility, and sound! The Yamaha S90 ES Synthesizer combines a stunningly natural acoustic piano sound with all the sonic flexibility of the award-winning MOTIF ES. The piano keyboard uses a new multi-velocity, stereo grand piano sample with sound board simulation and half dampening (when used with the FC3 pedal) that is incredibly rich and realistic—the best Yamaha has ever put into a synthesizer. The 128-note polyphony tone generator, Studio Connections compatibility, mLAN expansion slot, and PLG expandability give it all the synthesis power and control capabilities of the Yamaha MOTIF ES line. The most expressive piano voice of any synth. Played at normal tempos and dynamic levels the sound of the Yamaha S90 ES is truly superb, but it's at the opposite end of the tempo and dynamic range that the results are most stunning. The longer waves give each note a very natural sustain that, when used on ballads and slow, exposed pieces, plays expressively with a full, natural sound. This voice also features stretch tuning and a damper resonance effect offering even more realism. Half-damper capability Some classic pieces call for a half damper technique where the damper pedal is pressed halfway down raising the felts only partially off the strings. As the sustain function on most synths is a simple on/off operation, such use is normally impossible. The S90 ES, however, is able to respond to small changes in the FC-3 foot controllers pedal position due to its half-damper capability. This gives the performer greater control over the muting by the damper, and expressive freedom to create the subtle nuances required by the music. Tone generation derived from the MOTIF ES Using a powerful new tone generator derived from the MOTIF ES, the Yamaha S90 ES produces voices with stunning clarity and great response that heightens the musical experience for both you and your listeners. To meet the needs of todays players its 228MB (when converted to 16-bit linear format) of wave memory holds an enormous library of expressive voices and drum kits, many of which come from the MOTIF ES, that cover everything from acoustic pianos and orchestra to cutting-edge hip-hop and electronica. ****** 88-key weighted hammer-action with aftertouch. Complete MOTIF ES Wave ROM. 32MB S700 acoustic piano with sound board simulation. 128-polyphony, 8 Part-ins effect, reverb, mastering, and master EQ. MIDI master keyboard functions. Full function remote control for DAW/VST software. Half-damper (requires FC3 pedal). 3 PLG slots. Optional mLAN16E card to turn your S90 ES into a multi-channel ASIO soundcard. Nord Electro 2 Rackmount Synthesizer Great emulations of electromechanical keyboards. The organ in the Nord Electro 2 Rackmount Synth is based on the digital simulation of the mechanical tone wheels of the B-3 organ and it offers a number of very innovative solutions to mimic the typical B-3 sound. Such innovations include: complex digital modeling of the original B3 chorus and vibrato scanner, simulation of the individual random contact bounces for each partial, and simulation of the unique frequency characteristics of the built-in preamplifier which forms the body of the B-3 sound. The drawbars are represented by up/down buttons and LED bar graphs. So when you change presets, the correct drawbar settings are shown immediately by the LEDs, avoiding the need for trial and error. The piano section comprises several carefully multi-sampled electric piano instruments. As a bonus, it also includes an acoustic grand piano. The piano sounds are built up by a vast number of multisamples to catch every nuance from soft to hard hits. USB interface for quick and easy download of new piano sounds. Very flexible effects section including a rotary speaker simulation. ****** Drawbar settings presets:. 8 drawbar presets plus a random preset function in ROM and 9 user drawbar settings. Electric piano section:. Rhodes Mk I Stage Piano, Rhodes Mk I Suitcase Piano, Wurlitzer 200A, Clavinet D6 and the custom modified Clavia Electric Grand Model G, and stereo acoustic Malmsjoe grand piano. 48 user memory locations (6 banks holding 8 programs each) in which you can store complete setups, including instrument settings (organ or piano) and effects settings. Effects:. Overdrive, rotary speaker simulation (slow, fast, stop), equalizer, chorus (2 types), flanger (2 types), phaser (2 types), tremolo, wah-wah (2 types), auto wah, auto panning, and ring modulation. Connections:. 2 audio outputs, 1 headphone output, MIDI I/O, USB interface. 4 rack spaces. Moog Minimoog Voyager Performer Edition with Blue Wheel There's nothing like the real thing, baby! The Moog Minimoog Voyager Performer Edition with Blue Wheel is an all-analog performance synthesizer incorporating virtually all of the functions of the original Minimoog synthesizer, produced from 1971 to 1984, and a number of new features that bring the Minimoog into the 21st century and beyond. Features include three ultra-stable oscillators, dual Moog filters, 4-stage analog envelope generators, flexible modulation buses, and much more. The signal path starts with a bank of three wide-range, high-stability, voltage-controlled oscillators, one noise source, and one audio preamplifier for externally applied audio signals. The sound modifiers are two Moog filters and one stereo VCA (Voltage Controlled Amplifier). Modulation sources are two ADSR (Attack Decay Sustain Release) envelope generators and one multiwaveform LFO (Low Frequency Oscillator). Control devices include a 44-key keyboard with velocity and afterpressure outputs, pitch bend and modulation wheels, a 3-dimensional touch surface, and many control/pedal input jacks. The Voyager has a hinged, multi-position panel and a solid hardwood cabinet. The power supply accepts any power voltage from 100V to 240V. If you want THE Moog sound, this is it. Period. This has Bob Moog's legendary synthesizer design expertise in its circuits. It sounds amazing, looks amazing, and feels amazing. Novation XioSynth 25 Modern synthesis and complete MIDI control in one affordable package. In this stylish, compact and highly affordable format, the XioSynth 25 offers a staggering amount of classic and cutting edge sounds, many from internationally acclaimed artists, along with its X-Gator patch programmer and optional filter distortion. Furthermore, the XioSynth provides everything required for producing on the move through its audio interfacing and MIDI controlling capabilities. Novation-class synthesizer with new features The XioSynth features a mono-timbral Novation synth engine with 8-voice polyphony. In addition to 3 oscillators (17 waveforms each), 1 Filter (varying types), 2 LFOs (32 waveforms each), an arpeggiator and multi-effects board, this subtractive synth also boasts some brand new facilities such as the X-Gator patch programmer. The X-Gator can be made to gate each patch to create unique 16-32 step rhythmic patterns for every onboard sound, all automatically synchronised to MIDI clock from a sequencer; just press and hold one key to groove along to a track with style. Novation sound old and new - high profile user patches The XioSynth features 200 hard-hitting onboard patches, utilising a new optional filter distortion to produce an even greater range of sounds than on previous synths; from the distinctive clean British sound to the filthiest and grittiest of sonic characters. Furthermore, 60 of the onboard sounds come from internationally acclaimed artists and producers from a variety of musical genres, namely James Zabiela, Ferry Corsten, Rennie Pilgrem, Roots Manuva, Shimon and Skeewiff. As such, every one of the patches on the XioSynth is eminently and instantly usable for creating synthesized music of any kind. ****** Synthesizer. One part, 8-voice polyphonic. 3 Oscillators, 17 Waveforms. 2 LFOs, 32 Waveforms. Multimode resonant filter section with various filter options. Extensive modulation capabilities. Arpeggiator with latch. X-GATOR with latch. Direct streaming of synth into computer via USB. Keyboard. Keys: 25. Type: Semi-weighted. Velocity curves: 7. Pitch and mod wheel mechanism. Pitch wheel lever: Rubberised - centre return spring loaded left to right motion. Mod/control lever: Rubberised - spring loaded front to back motion. X/Y touchpad. Touchpad: 1 x touch sensitive 45x60mm. Parameters: 2 assignable in X direction. 2 assignable in Y direction. LCD display. LCD: 2 x 16 character silver. Blue LED backlit. MIDI interfacing. MIDI: 1 MIDI Out. USB MIDI: 1 In/1 Out. Audio Interfacing. Inputs: 1 XLR (with phantom power). 1 TS Jack. Outputs: 2 TS Jack (L/R). 1 stereo Headphones Jack. Other interfacing. Data ports: 1 x USB 1.1. Sustain pedal: 1 x 1/4" Jack In Dave Smith Instruments Evolver Analog Synthesizer A genuine analog synth with a modern vibe and new sounds. Designed by synth guru Dave Smith, the Evolver Analog Synthesizer delivers sonic originality from the interaction of analog and digital electronics, especially with the extensive use of tunable feedback. The analog circuitry keeps the signal in line just enough to make the wildest sounds without going over the edge. The feedback is constantly moving differently in each path, providing some very cool stereo ambience to the sounds. ****** Monophonic sound. 2 analog and 2 digital oscillators. Sawtooth, triangle, saw-triangle, and pulse waveshapes. 96 wavetables for digital oscillators. 32 user-loadable wavetables via MIDI. Hard sync on the analog oscillators. FM and ring mod on the digital oscillators. Separate glide for each oscillator. Real voltage-controlled analog low-pass filters. One filter for left and one for right channel. Dual digital 4-pole high-pass filters. Stereo audio ins. Noise generator. Envelope follower and peak detect from external sources. 3 snappy ADSR envelopes. External input can be used to gate envelopes and/or step the sequencer. 4 LFOs (sync with sequencer and MIDI). Dual (left and right channel) tunable feedback loops modulate frequency and amount. Delay with 3 taps, each with separate time and amount modulation. Syncs to sequencer/MIDI. Normal feedback and additional feedback path through analog filters. Distortion! Digital, one for each channel, can be placed before or a Access Virus TI Totally Integrated Synthesizer Keyboard An advanced keyboard, synth, and production instrument for the modern musician. The Access Virus TI offers the freedom of software synthesis, the power of computer connectivity, and independent hardware portability and control. It has 61 semi-weighted keys with velocity sensitivity and aftertouch. The dual DSP engine serves up 512 RAM and 2048 ROM patches with 80-stereo-voice polyphony (average) as well as a powerful array of oscillators, filters, LFOs, envelopes, and effects.You also get a per-patch programmable arpeggiator and studio-grade 24-bit/192kHz audio conversion. The Virus TI Keyboard links to your computer with VirusControl, a companion software product which ports the hardware synth into a host sequencer for use as a sample-accurate VST/AU instrument, simultaneously offering 2-way audio and MIDI connectivity, control surface functionality, editor and librarian functions, and more. ****** 61 keys with velocity sensitivity and aftertouch. 2 pedal inputs. White graphic display. Illuminated logo at the back. Wood side panels. 6 Symmetrical outs with +4dB studio level. Optional Soft Limiting for every output. 192 Khz/24bit D/A converters. 2 Inputs with 24-bit A/D converters. 4 different input sensitivities. USB for audio, midi and data connection. USB2 compatible device, 12Mbit data transfer rate. S/PDIF In/Out for Digital I/O.. Dedicated headphone out. 39.2"W x 4.6"H x 14.6"D. 27.6 lbs..